{"id":2785,"date":"2019-01-25T17:31:14","date_gmt":"2019-01-25T08:31:14","guid":{"rendered":"https:\/\/realtokyo.co.jp\/_sys2024\/en\/?p=2785"},"modified":"2019-01-26T12:27:42","modified_gmt":"2019-01-26T03:27:42","slug":"dokudamu-the-chain-museum-co-yamada-un-restaurant-8ablish-2018-10-21","status":"publish","type":"post","link":"https:\/\/realtokyo.co.jp\/en\/performance\/dokudamu-the-chain-museum-co-yamada-un-restaurant-8ablish-2018-10-21\/","title":{"rendered":"\u201cDokudamu\u201d The Chain Museum \/ Co. Yamada Un
Restaurant 8ablish 2018.10.21<\/small>"},"content":{"rendered":"

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It appears to me that, for a very long time, there has been an uncrossable line that divided contemporary dance from universally accessible show dance, which is perhaps due to its \u201cartistic,\u201d \u201cabstract\u201d and \u201cconceptual\u201d qualities. Mention \u201cdinner shows,\u201d and people will automatically think of belly dance or flamenco performances at restaurants, or various entertainment at hotels and night clubs. Greatly interested in the chemical reaction that may take place when food and drink meet contemporary performing arts, I have been experimenting a bit with that combination in the art space that I\u2019m running myself.<\/p>\n

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The first installment in the \u201cChain Museum\u201d project that Masamichi Toyama, Smiles Co., Ltd. and the creative collective <\/span>“PARTY” launched in 2018 was a contemporary kind of dinner show integrating food, liquor and dance. A vegan restaurant that was converted into a stage offered their guests a genuine 4-hour program combining dance and a full-course dinner. Performing was Co. Yamada Un, currently one of the most \u201ccutting edge\u201d companies in the Japanese dance scene. The company\u2019s 16 well-trained male and female dancers have been wowing audiences across Japan with highly refined performances of group and solo dance, mixing concrete thematic and abstract elements that highlight each member\u2019s individual character.<\/p>\n

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The show this time began tense and stimulating, so the introduction wasn\u2019t exactly smooth. Straight-faced and dressed in identical chef coats, the dancers twisted and tangled to Stravinsky\u2019s music, moved up very close to the seated guests and across (above) their tables. Their tenaciously repeated actions and in-your-face physical presence in front of the clear-faced audience must have felt rather disquieting to some of the diners (who weren\u2019t necessarily all hardcore dance fans), and certainly shook up their flaccid consciousness. Then the tables were covered with white tablecloths for the long-awaited dinner, however just when the tense atmosphere was loosened with delicate food, drinks and chats, the dancers returned for part two. This included everything from comical duels to short short plays, before everything got sweetly melted down in a dessert buffet, accompanied by an impromptu performance reciting the life story of a random person picked from the audience. After the tension had been gradually raised with a smart combination of intoxicating and surreal scenes, the show closed with the company\u2019s energetic specialty group dance performed to march music in the festive style of a Japanese \u201cohayashi\u201d orchestra.<\/p>\n

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photo: Chie Sumiyoshi<\/p>\n

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The real climax of the party, however, came after the performance, in the form of a meet \u2018n\u2019 greet with the dancers once the ovation had calmed down. So here the guests that are normally too far away to go backstage in a theater had the chance to drink a toast and chat with the artists, and it was this very scene with everyone on the same footing that marked the evening\u2019s finale. Restaurant and stage, recipe and choreography, service and performance \u2013 all these elements that each involve physical action in one form or another fused together, and all kinds of people mingled with each other. The setting of the restaurant helped make the visit an artistic experience on a human scale, and I can definitely imagine this to develop into a new artistic genre that evokes a new kind of sensitivity beyond conventional theater culture.<\/p>\n

Translated by Andreas Stuhlmann<\/p>\n","protected":false},"excerpt":{"rendered":"  It appears to me that, for a very long time, there has been an uncrossable line that divided contempora […]","protected":false},"author":19,"featured_media":2796,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/posts\/2785"}],"collection":[{"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/comments?post=2785"}],"version-history":[{"count":18,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/posts\/2785\/revisions"}],"predecessor-version":[{"id":2827,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/posts\/2785\/revisions\/2827"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/media\/2796"}],"wp:attachment":[{"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/media?parent=2785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/categories?post=2785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/tags?post=2785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}