{"id":3207,"date":"2019-04-04T00:22:00","date_gmt":"2019-04-03T15:22:00","guid":{"rendered":"https:\/\/realtokyo.co.jp\/_sys2024\/en\/?p=3207"},"modified":"2019-04-10T19:13:29","modified_gmt":"2019-04-10T10:13:29","slug":"wild-tour","status":"publish","type":"post","link":"https:\/\/realtokyo.co.jp\/en\/screening\/wild-tour\/","title":{"rendered":"Wild Tour
Written and directed by Sho Miyake 2019.3.30-<\/small>"},"content":{"rendered":"

Walking around on the streamlined, undulating roof designed by Arata Isozaki for the Yamaguchi Center for Arts and Media (YCAM), a group of young people are chatting idly about the future. This somewhat surrealistic scene, shot against the grand background of Yamaguchi\u2019s natural beauty, is one of the most memorable parts of director Sho Miyake\u2019s latest work, \u201cWild Tour\u201d. When creating the film, Miyake says he felt that \u201cperhaps the future of society can be seen here in Yamaguchi\u201d \u2013 in an unforced balance between nature and technology. A result of the fourth edition of YCAM Film Factory, an ongoing filmmaking residency project that has previously hosted Go Shibata, Shota Sometani and the Kuzoku collective, \u201cWild Tour\u201d had its Tokyo premiere at the Yebisu International Festival for Art & Alternative Visions 2019 and has just been released in cinemas. At the festival, its popular 15-day run was accompanied by a screening of \u201cDiary without Words 2018\u201d, a film shot on an iPhone, as well as a video installation titled \u201cWorld Tour\u201d.<\/p>\n

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\u00a9 Yamaguchi Center for Arts and Media [YCAM]<\/span><\/p>\n

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The plot in \u201cWild Tour\u201d centers on an actually existing YCAM workshop that involves creating an encyclopedia of plants by analyzing the DNA of samples collected by the participants. Workshop facilitator and university freshman Ume (Honoka Ito), ninth-graders Take (Osuke Kuribayashi) and Shun (Ryutaro Yasumitsu), another boys\u2019 team wearing blue jackets, and a group of powerful high school girls each set out to gather plant samples. Miyake captures every twinkling moment of these kids\u2019 stories, from what happens to a rare stone found by the two boys in blue on a snowy beach to Take and Shun\u2019s talk of how \u201cyou die if you have 80 hiccups in a row\u201d, interspersed with feelings of young love, heartbreak, encounters, and goodbyes. Having set out to capture the \u201cwild\u201d parts of people and society, \u201cthose you can\u2019t describe merely as \u2018real\u2019 or \u2018natural\u2019\u201d, Miyake chose to fill his cast with local school kids who had never acted before. His methods were original: \u201cI would do stuff like pick out words I had heard them use while eating ramen together, create a scenario including those words, and then pass that scenario to the kids over the weekend.\u201d<\/p>\n

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\u00a9 Yamaguchi Center for Arts and Media [YCAM]<\/span><\/p>\n

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The next generation will consist of so-called digital natives, who have had access to smartphones and the internet since they were born. What impact will that have on movies? Miyake is dabbling in filmmaking that goes beyond existing patterns, such as by shooting his daily life with an iPhone for \u201cDiary without Words\u201d. Focusing on the possibilities that technological progress opens up, he sought to make \u201cnew discoveries\u201d by collaborating with YCAM. When the credits roll for \u201cWild Tour\u201d, the names of the cast members are listed alongside the names of the plants they discovered, invoking a fun sense of \u201cdiscovering new species\u201d in the viewer. Equally attractive are the film\u2019s key visual, shot by Takashi Homma, and the soundtrack by Hi\u2019Spec \u2013 now an essential part of any Miyake film.<\/p>\n

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\u00a9 Yamaguchi Center for Arts and Media [YCAM]<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"Walking around on the streamlined, undulating roof designed by Arata Isozaki for the Yamaguchi Center for Arts […]","protected":false},"author":14,"featured_media":3212,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/posts\/3207"}],"collection":[{"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/comments?post=3207"}],"version-history":[{"count":17,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/posts\/3207\/revisions"}],"predecessor-version":[{"id":3228,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/posts\/3207\/revisions\/3228"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/media\/3212"}],"wp:attachment":[{"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/media?parent=3207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/categories?post=3207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/tags?post=3207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}