{"id":6869,"date":"2022-04-26T15:02:30","date_gmt":"2022-04-26T06:02:30","guid":{"rendered":"https:\/\/realtokyo.co.jp\/_sys2024\/en\/?p=6869"},"modified":"2022-08-04T09:29:30","modified_gmt":"2022-08-04T00:29:30","slug":"cmon-cmon-mike-mills","status":"publish","type":"post","link":"https:\/\/realtokyo.co.jp\/en\/screening\/cmon-cmon-mike-mills\/","title":{"rendered":"C'mon C'mon
Written and directed by Mike Mills <\/small>"},"content":{"rendered":"

\u00a0<\/strong><\/p>\n

A journey with children for thinking about the future<\/strong><\/p>\n

Director Mike Mills says he was inspired to write the script for this film while giving his child a bath, and as one might expect, a bubble-like softness (and a slight sense of fragility) pervades its entire length. After examining his relationship with his father in \u201cBeginners\u201d and that with his mother in \u201c20th Century Women,\u201d Mills turns his attention to children and the future in this imaginative and intimate work. Johnny (Joaquin Phoenix), a radio journalist based in New York, is asked by his sister Viv (Gaby Hoffmann), who lives in LA, to look after her slightly eccentric son Jesse (Woody Norman) for a few days. Uncle Johnny and nephew Jesse hardly know each other. They set out on a number of incongruous journeys from LA to New York and New Orleans to conduct interviews. Jesse (called \u201cmini-Johnny\u201d by Johnny’s colleagues), only 9 years old, sits next to Johnny and tries to get a feel for the world through the sounds of waves, cities, and his headphones. He also gets homesick, and Johnny panics when Jesse suddenly disappears from sight in one city.<\/p>\n

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Woody Norman, Joaquin Phoenix (L-R)<\/p>\n

On the face of it, Johnny appears to be a skilled communicator. He strives to connect with others by being sincere, even if he doesn’t understand them. Perhaps it’s in his nature as a journalist. He tries his best to treat the much younger Jesse as an equal. Still, he’s a middle-aged bachelor hardly at ease with his sharp nephew, who notices that Johnny has trouble expressing his emotions. While enjoying the opportunity to be around a child, he\u2019s struck by the realities of balancing work and child-rearing. One day, he feels miserable (and is irresistibly adorable) after yelling at Jesse. On Viv’s advice, he awkwardly performs a \u201crepair\u201d\u2014a forgiveness ritual of sorts\u2014and Jesse admonishes him, saying things like \u201cMom does this without reading [from a script].\u201d You wonder who\u2019s the more mature of the two. But little by little, they grow closer.<\/p>\n

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Woody Norman, Joaquin Phoenix (L-R)<\/p>\n

Remarkably, Phoenix and Norman are positioned as equals to a degree that really is surprising\u2014a stroke of genius that, for lack of a better word, takes them beyond natural acting and feels almost naturalistic. The secret, for Phoenix, was Norman. \u201cI was able to do it because Woody became my guide, being with me every day,\u201d he says. Phoenix, with exquisite timing, plays along with Norman’s curveballs, mesmerizing us once again with his ability to retain complete control as an actor. Mills\u2019 meticulous direction is evident in every detail as well.<\/p>\n

Even more original is the way the real voices of the 9\u201314-year-olds Phoenix and his team actually interviewed about \u201cthe future and life\u201d are mixed into the story, which effortlessly moves back and forth between fiction and documentary. The black-and-white footage (a nod to Wim Wenders\u2019 \u201cAlice in the Cities\u201d (1973)) conveys movements of the soul, cityscapes, and the workings of nature in a strangely \u201ccolorful\u201d way. \u201cI wanted to reinforce the sense of abstraction, separation from the real world, that black-and-white pictures possess,\u201d says Mills, \u201cto tell a fable of sorts, an archetypal fairy tale for both grown-ups and children.\u201d And as the director intended, his extremely refined images project vivid nuances.<\/p>\n

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Woody Norman, Gaby Hoffmann (L-R)<\/p>\n

This is the kind of movie that relaxes the body and calms the mind just by watching it. Like lying side by side on a bed somewhere away from home or going out into the woods, it feels like a healing process that releases one\u2019s \u201ccore\u201d from its hard shell, so to speak. The story is tagged with quotes from Mills\u2019 favorite books, most notably the picture book \u201cStar Child\u201d by Claire A. Nivola, which offers a cosmic perspective on the sadness, love, and irreplaceability of the people of Earth. The journey continues until they (we) return to \u201cthe stars\u201d (i.e., until life is over). Johnny promises Jesse: \u201cYou might not remember any of this, but I will\u2014believe me.\u201d<\/p>\n

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Molly Webster, Jaboukie Young-White, Woody Norman, Joaquin Phoenix (L-R)<\/p>\n

The world is saddened by the horrors of the ongoing war in Ukraine. We often feel gloomy, but life goes on, no matter what happens. When we stop and feel overwhelmed by anxiety, let\u2019s remember that we have people who can help us, and that this movie is here to do just that. It\u2019s a cinematic superpower that\u2019ll help you take the next step. C\u2019mon c\u2019mon\u2014let\u2019s keep going, onward, onward.<\/p>\n","protected":false},"excerpt":{"rendered":"\u00a0 A journey with children for thinking about the future Director Mike Mills says he was inspired to write the […]","protected":false},"author":14,"featured_media":6874,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[93],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/posts\/6869"}],"collection":[{"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/comments?post=6869"}],"version-history":[{"count":16,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/posts\/6869\/revisions"}],"predecessor-version":[{"id":6982,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/posts\/6869\/revisions\/6982"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/media\/6874"}],"wp:attachment":[{"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/media?parent=6869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/categories?post=6869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/realtokyo.co.jp\/en\/wp-json\/wp\/v2\/tags?post=6869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}